-
Francesco Bono
- Dipartimento di Filosofia, Scienze Sociali, Umane e della Formazione, Università degli Studi di Perugia, Italy
- FAR Journal of Arts, Humanities And Social Studies (FARJAHSS)
- DOI
The purpose of this article is to conduct a critical examination of Willi Forst’s debut film as a director, Leise flehenmeine Lieder, which was filmed in Vienna, Forst’s city of birth, in 1933. Forst has been generally included among the greatest figures in the history of German-language cinema during the interwar years, and Forst’s directorial debut with the musical film Leise flehenmeine Lieder, which centered on a fictional episode in the life of Austrian composer Franz Schubert, followed a decade-long activity as an actor in both the theater and cinema. The film marked the beginning of Forst’s successful career as a film director, producer, and actor, which would develop in the years to follow between Vienna and Berlin. With the aim of enhancing comprehension of Forst’s oeuvre, the Austrian director’s filmdebut shall be put against the broader context of his body of work, drawing attention to some characteristics of Forst’s style that Leise flehenmeine Lieder exemplified significantly.

